Love Supreme: A Universe Made In Heaven on Earth, manifested by Mindbender Futurama

NAS IS STILL THE MOTHERFUCKING MAN. LISTEN TO THAT 'NIGGER' ALBUM, AND LISTEN TO THE LYRICS -CLOSELY-:

Killer Mike on Nas Renigging his Album Title from 2dopeboyz.com on Vimeo.

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LOL, NO MATTER WHAT, I LOVE KANYE:

Many of you thought that card you got from the DMV was a license to be an asshole, but found out in traffic court that you were very wrong. Well, the good folks at Absolut Vodka have answered your prayers. As part of their “Be Kanye” campaign they’ve developed a pill that will let you look and act just like Kanye West for up to four hours at a time and cure that bloated feeling you've had since lunch.

After I got over the pause-worthy thought of swallowing Kanye West pills I washed two of them down with a swig of Absolut Vodka, just to see what would happen. First thing I felt was my head swell to twice its normal size and I became overcome with an intense sense of entitlement. My cell phone blew up with text messages from Rhymefest asking if he could trade his publishing on "Jesus Walks" for another single with me and I politely told him that Charles Hamilton has filled his spot now and that he should go re-join Consequence in the stock room at Food Lion.

However, the next thing I felt was the glare of Jay-Z for endorsing this throat-scorching swill when I had a lifetime supply of Armadale vodka sitting in my basement. I shrugged it off, threw up the diamond and went shopping. Absolut is paying for my tour. And I’m selling more records than you. No Roger, No Rerun, No rent.

After filling my G5 Mercedes Wagon with Louis Vuitton Monogramouflage luggage I text Dame Dash and remind him that I still sell more records than he does. Who’s the accessory now, bitch?

I hit the studio and start working on my own Barack Obama mixtape. I find some old Johnny Pate to sample to keep that Chicago steez and show these lames how far ahead of the game I am. I should have a cabinet spot locked by the time I get to the hook.

By now I start feeling thirsty and take a swig of Aquadeco bottled water, but it tastes funny. I spit it out onto the ground and it’s brown. I look at the bottle and look through the clear fluid and take another swig. Again, funny taste. I finally realize that I’ve been talking so much shit that everything that comes out of my mouth is facetious…ha, ha. Get it? Of course you don’t but if you act like you don’t get my punch lines you’re not cool. And I’ve given Jay-Z, Common and Talib enough dope ass beats that they have no choice but to co-sign my skills. You hate it. I know. I put Mad Skillz onto my backpack game and he’s down now. You see the sparks and shit shooting out of his backpack now? I did dat.

My dentist calls but I ignore it. My crooked jaw is a badge of honor. And as long as I dress this good I don’t need straight teeth. Diddy taught me that. Besides, talking shit feels good through clenched teeth…Plus I can go as the Brown Hornet for Halloween this year and kill it.

And just like that I black out. When I wake up I’m on stage at Bonnaroo getting pelted with glowsticks. Fuck this. Tomorrow I’mma drink some wheat grass and become Lupe Fiasco. Same wardrobe, less hazardous.

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AND THIS JUST SHOWS HOW MUCH RAP (BLOGGING) IS OUTTA CONTROL:

http://marcustroy.com/my-life/my-life-ghost-blogger-for-the-right-price-i-can-make-your-blog-tighter/

I am coining the phrase “GHOST BLOGGER” for those of you who have no idea where this term derives from I’ll explain. In the rap game if you don’t write your own lyrics (like Diddy) you hire a “Ghost Writer” to do your penmanship for you. (sidenote: most people don’t respect those who don’t write their own lyrics.) The reason why they say “ghost” is because this persons identity is usual kept private and you can use their material and past it off as your own and the real writer essentially remains a ghost( unless they get mad, and call you out). So the game is changing and now blogging is the new way of communicating your ideas, thoughts and beliefs besides the music. Artist like Kanye and Pharell just to name a few have their own blogs which people follow insanely you can tell by the user comments. But do they write their own blogs? Or are their blogs just inspired by them and what they might say? If you’ve read my tag line it goes as follows: “Blogging aint easy but somebody’s got to do it” This shit is a full time job at times, keeping people updated on all types of stuff. So many people start blogs and update for like 3 months and fall off the face of the earth. There are countless of blogs in my rss reader that never get updated (shame on you guys) cause this is time consuming. I know I’m a busy guy and I still find time to get my blog work in. How the Hell does Kanye have time to update his blog with 10 new post a day? while touring, making beats, sexing, looking at porn, shopping, creating vodka commercials, attending fashion shows and whatever else a dude of his caliber is doing? The only way I see it happening is with a “Ghost Blogger”. I know by some of his post it seems like he is the one finding all the cool stuff and writing all those post, But we don’t believe you, you need more people. My other pet peeve about my “speculated ghost bloggers” and some bloggers in general, is that they don’t credit the sites where they get their information from. I am starting the blogfirm! You can post info 4 times a month without giving credit, but after that your getting blacklisted! Ok ,so I don’t really have any power to do this, but you get my point.

I still would not mind seeing a Jay-z ghost blog?! It would be kind of cool but you know…

“I have never been on myspace, too busy carving out MY space”

Shout out to all the real bloggers putting in work everyday to keep us all entertained.

Shout out to all the “Ghost bloggers” for putting in work for others and getting silly paid! (just make sure you give us credit when it’s due)

If I only knew I could get paid to blog for somebody else…

PS: For the right price, I can make your blog tighter.

Ghost blogger for hire.

PS: If anyone uses the term ghost blogger they heard it from me first!

PEEP THIS AND TRY TO FIGURE OUT THE FUCKORY:

http://www.kanyeuniversecity.com/blog/index.php?em3106=199506_-1__0_~0_-1_7_2008_0_0&co=1

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LET ME ASSERT MY MOTHERFUCKIN' POWER:

http://www.vibe.com/news/news_headlines/2008/07/internet_superstars/

No label deal? No zillion-dollar budget? No problem. Rappers like Soulja Boy and Lil Wayne proved that artists don’t need publicity tours, a promo staff, or billboards in Times Square. And now Crooked I, Mickey Factz, Blu, and Jay Electronica have blown up—with little more than laptops and IP addresses. Chris Yuscavage chases the RSS feed.

“I’m that dude!” Dominick “Crooked I” Wickliffe is shouting through the phone as he drives his 2007 Bentley Continental Flying Spur through traffic on an April afternoon in Hollywood. “I just proved hip hop isn’t dead!”
It’s been a long year for the West Coast lyricist, so excuse him for letting off a little steam. But he’s not triumphantly touting his latest mixtape, The Block Obama, or long-awaited debut album, B.O.S.S. (Beginning of Something Serious) (Treacherous/Universal), which has been in the making for more than a decade. Instead, he’s taking a moment to reflect on the past 12 months.

From April 2007 through April 2008, Crooked I, a hip hop veteran, has enjoyed the best year of his career. Why? Because every Tuesday night, he made it a priority to record a new freestyle at his studio, The Mint Room, in Glendale, Calif. He used his MySpace page to take requests from fans to rap over popular beats like Rihanna’s “Umbrella” (Week 5), The Game’s “Put You On The Game” (Week 42), and Lil Wayne’s “Lollipop” (Week 51). By Wednesday, each new song was uploaded to his Dynasty Entertainment Group’s Web site (dynastyentgroup.com) and offered as a free download.

Before long, it was posted to popular sites like Dub CNN (dubcnn.com) and Nah Right (nahright.com), and for the first time in a long time, the slick-talking rapper had both an audience and accolades from the rap community, including a glowing endorsement from DJ King Tech of Los Angeles’ fabled “The Wake Up Show.”

“It took 52 weeks,” the 30-year-old rapper says calmly before putting some attitude behind his words. “Fifty-two weeks for [King Tech] to say, ‘Hey, if you take away all the money, the platinum plaques, the success from the clothing companies and you just listen to the lyrics, I can’t tell you who is better: Crooked I or Jay-Z.’ Me [being] online and bringing something quality week after week made this guy spark up.”

When Rob “King Tech” Sepand got on L.A.’s Power 106 [KPWR, 105.9] last December and compared the two rappers, he wasn’t exactly unfamiliar with Crooked I’s work—the Long Beach native has appeared on “The Wake Up Show” numerous times. And he actually co-signed just 36 weeks into the series. But Crooked I is unfazed. As an artist signed to three different labels since 1995 (Virgin, Death Row Records, and his own Treacherous Records) without releasing an album, he’s more concerned with proving his point: that today’s rapper doesn’t need a major label system to get attention. In 52 weeks, the ’Net did more for Crooked I than any of his label deals. Through that, he’s successfully touring, connecting with new fans, and, most importantly, keeping his name in the conversation.

“There’s no way I should be compared to Jay-Z,” says Crooked I, who took home “Best West Coast Mixtape Artist” honors at the 11th Annual Mixtape Awards in New York in April. “But that shows you how important the Internet is right now.”

It’s a sentiment shared by other artists. “Even when I was with a major, I turned to the Internet to release the music I wanted to release,” says Def Jam castaway Joe Budden, 27, who dropped the third installment of his Mood Muzik mixtape series on Amalgam Digital in February and will do the same with his sophomore album, Padded Room, this August. “It feels great to be able to [do that] and get a response.”

And it’s also the key for any rapper looking to maintain a presence today. After struggling through label politics, marketing mishaps, and album delays for years, artists have control again. Online downloads, whether through iTunes, blogs, or your favorite P2P file-sharing network, determine who and what is considered hot—and the formula is already being adopted by the brick ’n’ mortar music industry.

In early 2007, DeAndre “Soulja Boy Tell’em” Way used YouTube and MySpace to promote his independent single, “Crank That (Soulja Boy).” After an avalanche of viral video imitators and a boatload of blog exposure, the then-16-year-old Mississippi rapper went the major label route, signing to Collipark Records through Interscope in May 2007. The song went on to sell more digital singles than any other song in the history of music (it was replaced by Flo Rida’s “Low” earlier this year).

But for Crooked I, the success of other artists, signed or unsigned, only reaffirms his belief. “Look at Flo Rida!” he barks. “He came out of nowhere, and his single is the biggest digital single ever. When I see that, I see there could be a highest-selling digital album ever—the potential is there.” On an April afternoon in New York City,On an April afternoon in New York City, Mickey “Mickey Factz” Williams is making the short walk from the Apple Store on 5th Avenue to MTV’s Times Square headquarters. He’s set to sign paperwork allowing the network to debut his video for “Rockin’ and Rollin’,” a song featuring The Cool Kids. But the video has leaked—and MTV isn’t happy.

“I have to explain to them that I don’t answer to a label,” says Factz, whose bold sense of style is matched only by his equally eccentric music, a blend of hip hop, electro, and house. “I don’t answer to anybody but VIBE.com100 the fans—and if the fans feel strongly about something I have, they’ll find a way to get it.” Nonchalance aside, Factz, 23, is the first to admit that he’s just coming around to the idea of catering to fans online. After working as a paralegal, the Bronx, N.Y., native decided to pursue a rap career in 2006.

But the ’Net wasn’t his focus. “I’m not gonna lie,” he says in his quirky, confident tone. “I was a conventional artist. I wanted to put out one mixtape every two months and I would be good.”

His A&R, Steven “Steve-O” Brown, however, had other ideas. Instead of pressing up mixtapes, why not give his music away for free online and quickly serve the audience? “He literally had to talk me into it,” jokes Factz.

In 2006, he released a pair of free, online-only mixtapes, Kings of the Bronx and In Search of N.E.R.D., and followed up the effort by putting out two more, Back To The Future: Flashback, Vol. 1 and Heaven’s Fallout, last year. This year, The Leak, Vol. 1: The Understanding, was leaked one song at a time to MySpace every week for 17 weeks. The Leak, Vol. 2: The Inspiration is on the way. Musically, his take on everything from sneakers (“I Like Your Supras”) to phony rockers (“Rockstar Posers”) is refreshing. But it’s his relentless work ethic and the regularity of his releases that keep listeners coming back.

“It’s easy for me to record music,” says Factz, who plans to release more than 100 songs this year before dropping his debut in 2009. “At the end of the day, I’m working for the people. The fans are my employers—so why not be a happy employee and give them what they want?”

On the other side of the country, Los Angeles native John “Blu” Barnes is fiddling with a stack of beats for his next project. Blu is scheduled to do a phone interview today, but he’s seemingly one of the last people in America without a cell phone. In fact, he didn’t own a computer until a month before his debut with producer Exile, Below the Heavens (Sound in Color, 2007), dropped last August. Needless to say, Blu is something of an anomaly.

“I’m just tapping into this whole technology thing,” chuckles Blu, 25, who released The Piece Talks (Tres, 2008) with Detroit rapper/producer Ta’Raach in April as the duo C.R.A.C. “When I first got MySpace, I was actually denying friends until a label A&R asked me, ‘How do you expect to have fans?’” Blu’s since learned that having a hot record is as crucial as having a hot MySpace page design in ’08. Below the Heavens, a deeply personal but not especially commercial effort, was released on a small indie, Sound in Color, to little fanfare.

So learning more about HTML and spending “at least two or three hours every day” checking MySpace messages for concert opportunities is part of the game now. Last year, he was even featured on the home pages of MySpace, Imeem, and Apple. But, as he’s found out, the most rewarding part about getting online is connecting with fans.

“It’s cool to be able to contact people,” he says. “A deaf girl once hit me up [on MySpace] and told me she would put her hands on the speakers and get vibrations from my music that she never got listening to anything else. That is definitely motivational.”

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NAS KEEPS IT MOVING:

After the official release of his controversial, untitled ninth album yesterday, Nas announced he is planning "The Jones Experience" tour. The tour is being described as "intimate" and will feature Talib Kweli, Jay Electronica and DJ Green Lantern. Tour dates and venues are listed below.

In addition to performing for approximately 30 dates, Nas will also be making some high-profile stops. According to the Associated Press, "God's Son" is scheduled for a July 23 performance on Comedy Central's The Colbert Report. The show was originally introduced as a parody of the Fox News show The O'Reilly Factor, but has recently raised its profile among the Hip Hop audience with appearances by John Legend and the Roots. There's no word if Nas plans to perform "Sly Fox," his critique of Rupert Murdoch and the Fox media empire. The tradition of "secret shows," whose headliners and venues always get leaked continues for MySpace. Billboard reports Nas will perform at a secret show hosted by the social networking giant at the Los Angeles Roxy on Sunset July 18.

Although some corporate retailers refused to carry Nas' album with its original title of Nigger, Samsung and AT&T have courted the Queensbridge emcee for an additional tour. Nas has reportedly been added to the Samsung AT&T Summer Krush Tour. The tour begins July 31 with dates in Los Angeles, Seattle, Dallas, Atlanta, and New York. Mariah Carey, Nelly, LeAnn Rimes, Gavin Rossdale and Nas are scheduled to perform.

Nas' "The Jones Experience" Tour Dates

July 19 - Chicago, IL @ First Midwest Bank Amphitheatre
July 20 - Toronto @ Arrow Hall
July 22 - Montreal, QB @ Metropolis
July 24 - Burlington, VT @ Higher Ground
July 25 - New Haven, CT @ Toad’s Place
July 26 - Boston, MA @ Comcast Center
July 27 - Washington, DC @ Merriweather Post Pavilion
July 29 - Charlotte, NC @ Amos’ Southend
July 30 - Charleston, SC @ Music Farm
July 31 - Atlanta, GA @ Center Stage
August 1 - New Orleans, LA @ House of Blues
August 2 - Miami, FL @ Bicentennial Park
August 3 - New York, NY @ Jones Beach Amphitheatre
August 8 - Las Vegas, NV @ House of Blues
August 9 - Los Angeles, CA @ Glen Helen Pavilion
August 10 - San Diego, CA @ House of Blues
August 14 - Reno, NV @ New Oasis
August 15 - Chico, CA @ Senator Theatre
August 16 - San Francisco, CA @ Shoreline Amphitheatre
August 22 - Park City, UT @ Harry O’s
August 23 - Denver, CO @ Fiddler’s Green Amphitheatre
August 24 - Austin, TX @ Emo’s
August 25 - Houston, TX @ Warehouse Live
August 26 - Dallas, TX @ House of Blues
August 28 - Cleveland, OH @ House of Blues
August 29 - Detroit, MI @ Chene Park
August 30 - Champaign, IL @ Canopy Club
September 3 - St. Louis, MO @ The Pageant
September 4 - Milwaukee, WI @ The Rave
September 5 - Minneapolis, MN @ First Avenue
September 6 - Quincy, WA @ The Gorge Amphitheatre

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I DUNNO... I KINDA THINK THE DIPSET MOVEMENT IS OVER AND DUNN WITH... BUT WHAT DO I KNOW:

In a recent conversation with HipHopDX, Diplomats member 40 Cal spoke candidly about the union of the Harlem-based group, and their return to the spotlight.

"I got a relationship with alll of them, except Juelz [Santana], because Juelz been busy. I spoke to JR [Writer], I speak to Hell Rell all the time, Duke Da God. I spoke to Killa [Cam'ron] last week. The relationship is still cool, but it's not as good as it used to be, because we not all in the same studio. It's like a family, a family that stays together eats together, but in the music industry a family that records together stays together, we don't really record together that much."

When asked about the recent conversation 40 had with Cam, he stated, "That's the big homey so I gotta see what's crackin'. He just told me he been throwing a lot of parties and doing shows in Florida, getting the whole Florida fanbase. He told me to warn everybody that 'it's about to go down.'"

40 Cal, who is releasing his second album this year, Mooga, next month on Gold Dust Media, then spoke about last year's conflict between Jim Jones and Cam'ron. "It's one of those family affairs. It's like ya pops don't talk to your uncle, it's like we all at the same cookout, but we just don't sit at the same table." Elaborating, Cal used the same analogy, "We all at the same cook-out, repping the same family, everybody is screaming 'Dipset!' but we just not eating at the same table. we might be eating off the same grill, but we just sitting at different tables."

Mooga features production exclusively from Myspace solicitations.

WWW.HIPHOPDX.COM

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LOGIKAL ETHIKS IN THE MOTHERLAND!!

STOLEN FROM AFRICA IS THE UNIVERSAL TRUTH! KNOW THEIR WORKS AND THEIR WORDS!

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THIS MAKES ME LAUGH -SOOOOO- MUCH:

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J DILLA'S LITTLE BROTHER FINNA DROP AN ALBUM ON JAY DEE BEATS?! AWESOME. THE MORE, THE MERRIER...

Delicious Vinyl Records, the label that helped late producer J Dilla get his start in the game, will be releasing an album from Dilla's brother Illa J [click to read] . The 21-year-old younger brother of the late producer has relocated to Los Angeles from Detroit after Dilla's death. Since the move, Illa J has used his brothers equipment to create a studio called Yancey Boys Studio. There, using unreleased beats from Dilla, Illa J has crafted an album of his brother's beats and his own signing and rapping.

"From '95 through '98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, only they never got used. When I finally met Illa J last year, I gave him a CD containing those unreleased beats," said Mike Ross, founder of Delicious Vinyl.

Illa J adds, "Dilla was 12 years older than me. So back in the day in Detroit, I was just a little kid, sitting on the stairs in our house, watching him make those first beats for Slum Village. So I always felt my brother's tracks and had an instinct for what I wanted to do over them."

To Ross, who released classic records from Young MC, Tone-Loc and Masta Ace, the Yancey family is simply musical. "Illa J can write, sing, play and rap. Not just a little bit of each - he's really the complete package! And anyone who loves Jay Dee's music is going to flip out when they hear what his younger brother's been laying down. For over a decade these beats have been waiting in the vault for this moment. It's like Jay Dee made these tracks with an extrasensory purpose, so that Illa J could make this album. There is no question that this is exactly what they were meant for. These beats belong to Illa J, they're his birthright, and I really believe Jay Dee would be proud of what his brother is doing."

The album has yet to be given a title or release date.

www.hiphopdx.com

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HIPHOP WORLDWIDE:

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KARDINAL IS DOING IT!

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ASHER ROTH IS AIIGHT... BUT HE'S CERTAINLY NOT ON EMINEM'S LEVEL! HERE'S HIS 'A MILLI' RAP.

http://www.zshare.net/audio/154229078fbb22d3/

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AZ THE VISUALIZA IS THAT N!GGA :)

WWW.XXLMAG.COM

AZ is universally recognized for his talent, even if he’s not often revered the same way his peers like Jay-Z and Nas are. But the Brooklyn-bred lyricist is sharp as any MC in the game, past or present. And now, like his comrade Nas, he’s using his voice to address heavier subject matter, such as the dreaded N-word.

But is the former Firm member treading too close to his homie’s turf with his new project? AZ teamed up with DJ Absolut for the forthcoming mixtape, N4L, short for “nigger for life.” While Nas has been promoting his latest album, untitled, which at one point was set to be called Nigger, he’s endured criticism from black leaders and mainstream-media outlets alike. Here, however, the Aziatic one talks to XXLmag.com about Nas and riding coattails, what the N-word means to him, and exactly what’s next for one of Brooklyn’s finest.

When did the idea to do this project strike you?

Well, the moment was, when Undeniable came out in April; when I was on promotional tour I was getting so many questions about me and Nas doing an album together, it was overwhelming. I mean, I always get it, but for some reason, I guess because time keeps on ticking, it became overwhelming. So doing my shows and I was thinking, Is this ever going to really happen? Then out of nowhere Absolut got at me and he was like, ‘I heard Undeniable, it was serious.’ De said let’s do a move. He said lets do a mixtape. I didn’t want to do a mixtape because that’s really not my thing. It’s not my game; I do a song here or there. I said it had to be of some validity. We started thinking and at that point with what Nas did, I said, they wanted an album with me and Nas and with the climate we have with Barack Obama and Sean Bell, I can give my perspective. If me and Nas were to do an album it would be this, us speaking on this content, what he feels about the word nigger and what I think about the word nigger. Unofficially, if we were to do an album, this is what it would sound like.

Aside from all the things in the community to address and the headlines, Was there anything that you did specifically to motivate yourself?

My vision was, I wanted to do the nigger for life. Meaning, we all niggers regardless of our accomplishments. But I wanted to use it in a positive form like ‘Pac used it, N-i-g-g-a, which means never ignorant getting goals accomplished. So I was just throwing things back and looking at them through my scope of intelligence. And tapping into my books and all the knowledge that I absorbed through my life. And I just sat back and that’s when I got into the zone. I didn’t want to be “Preacher Earl,” I wanted to teach in a sense. I wanted to spark interest and cover all grounds. ‘Cause you got those that are impulsive, then you got those that are radical thinkers, and then you got those that are more scholastically motivated. I wanted to speak from all perspectives and I think I kind of accomplished that.

What are the range topics you discuss?

We got “Runaway Slave.” That’s one of my goodies. I made it a song, but it was somebody’s life at one time. And I kind of tried to make it musical and theatrical at the same time. Then you got “Knowledge Freedom.” I got the “12 Jewels.” I got “Conspiracy,” “Self Savior.” I just spoke on all topics and expressed myself at the end of the day.

Creatively, was it different for you? An album is a concentrated effort already, but how did it affect you—one way or another—to have an implemented angle in place?

It freed me up. ‘Cause I just really spoke my mind. ‘Cause we all entitled to our own opinions. So that was a good thing.

The album cover and the imagery are very visceral. Are you going to do anything else to enhance the experience of this project?

I’m gonna do some videos. Me and Absolut are gong to shoot a video or two or three. We might make a DVD movie out of it. But whatever move we make, at the end of the day, it’s just a mixtape to me, even though it’s 16 original songs. And it helped me get a lot off my shoulders and off my mind. After that, I’m working on a soundtrack and a movie called “Silent Wars” that I’m putting together now. It’s about making decisions and what’s right and what’s wrong. I’m not obligated to anything after this, I’m a free agent. I gave Koch their last album. So I’m searching for a home and will continue to put music out.

Did you reach out to Nas before you announced this project and worked on it? Because of the similar themes.

Me and him communicate periodically. He has his own thing going on, he has a lot on his plate. And me, I’m self-sufficient. So I try to venture out and see what I can do, bring to the table. WE haven’t politicked on this yet. On this situation I just let him do what he wanted. I wanted to lock into my zone with my mixtape and he be in the zone with his nigger thing. We haven’t spoke in a couple months, since I started working on my Undeniable album and this mixtape. But I’m sure we’ll speak soon after it’s all said and done.

You two are so linked, from your path work and the lyricism you exhibit, and in your press statement you mentioned you’re not riding on his coattails. But what about the appearance that Nas had to weather the criticism for his movement and now you’re benefiting with your project?

I’m not trying to benefit, for one, I’m just trying to add onto the awareness, you know? He set the climate and I think it’s a good climate. So any add on is good. I’m not subtracting. We speaking on issues for the younger generation to get a history lesson. ‘Cause they not from that era. And in order for them to move forward, we gotta take a few steps back. I’m brining a history lesson to the table. And I’m trying to make nigger positive. Really, it’s about rich and poor, to be technical. It’s an economic movement, to be honest. So I’m trying to add onto what he’s doing for the community so we can get to a certain mind frame. And get to the issues at hand about life. To help the next generation to help the next generation, to help us as a people.

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CONS-TO-THE-QUENCE IS COOL:

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PHILAFLAVA INTERVIEW OF PRODIGY, IN JAIL (I ASKED THE ILLUMINATI QUESTION, LOL):

http://www.zshare.net/audio/1542974094d45b30/

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MY LIFE ANTHEM RIGHT FUCKING NOW: