Love Supreme: A Universe Made In Heaven on Earth, manifested by Mindbender Futurama

KARDINAL TALKS TO FUNKMASTER FLEX:

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NEW METALLICA - THE DAY THAT NEVER CAME:

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THE BLACK DOT IS GOD:

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RIGHTEOUS KILL TRAILER:

SEPTEMBER 12TH.

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WHERE ARE THE HIP HOP ACTIVISTS?

Nas is bumping on the public-address system as T.J. Crawford readies the remaining National Hip-Hop Political Convention attendees for a closing session on the fall elections. "Can I have everyone's attention?" Crawford says to nearly 60 people in UNLV's Classroom Building Complex auditorium on Sunday afternoon. Deep-voiced, stocky and built like an NFL fullback, Crawford is a commanding presence, which helps him rein everyone in. After three days of meeting, intellectual jousting-and, yes, some partying-people are antsy to go home.

"We'll be starting in a few minutes," says Crawford, who co-founded the convention. "Until then, I'm going to get back to bumping Nas."

Good choice. When it comes to mainstream, commercially viable emcees with a modicum of sociopolitical relevance, the Queens rapper is in elite company-and he could very well be in a league of his own. Hip-hop's corporatization has effectively sucked the activism out of rap.
More

From the archives
Movement or fan club? (8/7/08)
Beyond the Weekly
National Hip-Hop Political Convention

The big guns-Jay-Z, Kanye and 50 Cent-worship album sales. The talented B-listers (Common, Mos Def and Talib Kweli) produce thought-provoking work that rarely ships platinum. Legions of under-the-radar emcees, whose work is as insightful as anything you'd see on Meet the Press, toil on marginal labels and make it by giving their small, dedicated fans what they want: music without compromise.

So where has hip-hop's activism gone, and why aren't its champions urging the masses to rebel, à la Chuck, KRS, even pre-Hollywood Cube? "There are a few mainstream cats that have some political savvy, but not many," Crawford says. "Lil Wayne made a political statement about government at the end of his album. On the underground, you've got Dead Prez, Immortal Technique, maybe Sage Francis. Back then, you had Public Enemy. Today, there's really no big artist who represents the hip-hop community politically."

Why? "Because there's no money in it," Crawford continues. "If they speak out, they'll be a threat to the corporate system. Rappers have to be more accountable to the community."

Working the aisles in the auditorium like a peanut vendor at a ball game, Maya Rise passes out copies of Snag, a periodical chronicling Native American culture. The copy she hands over doesn't include a CD, but a check of the publication's MySpace page yields YouTube footage of two Native American emcees: one rhyming passionately about tribal history, the other spitting in a rapid-fire, crowd-friendly staccato that invokes the playfulness of Eminem.

"I'm a proud Chicana," says Rise, who lives in Oakland, "but I'm a supporter of all indigenous peoples. I'm not here for the politics, but for the spirituality, and this music is spiritual."

Maybe today's artists need to take a trip to Uganda or at least check out a handful of films (several screened at the convention) about their overseas brethren. The characters in a Ugandan film rap with the same passion and desperation as the genre's East Coast forefathers. Then, as now, the message is the same: People are dying; words are powerful; we don't have time to play around.

Shortly before the strategy sessions start, a group of older, New York-born hip-hop heads wax rhapsodic about how Bronx DJ Afrika Bambaataa's breakbeats unified blacks and Puerto Ricans, by channeling their aggression into community-building activities. Today's popular artists, they say, are missing an opportunity to influence the world à la Gandhi or Martin Luther King.

There's a lamenting tone to the dialogue, a longing for hip-hop to recapture its activist roots, to return to the golden era (1988-1994) when Public Enemy, Poor Righteous Teachers, X-Clan and a host of other artists kept listeners dialed into the topics of the day.

Cesar Rivas, executive director of the Hip-Hop School of Arts in Los Angeles, holds out hope for a renaissance. Hip-hop is still the music of pain and progress, he says, no matter how corporate it's become: "Hip-hop is in touch with what's going in the community. You can listen to hip-hop and tell what's missing in people's lives."

SOMEONE'S RESPONSE:

With all due respect, while this seems to be a worthwhile question, it's gotten pretty redundant. The Hip Hop activists and artivists (as I call them) have gone nowhere. They've been steady banging against the system, loudly and proudly, and sadly, many of us refuse to acknowledge their existence, or even proactively (key word) look for them, to know they even exist. Chuck D, as well as Dead Prez, KRS-ONE, Rosa Clemente, LinQue (aka Isis of X-Clan), MC Lyte, Immortal Technique, Conscious Daughters, NicNac, Crew Grrl Order, Byron Hurt, Leba Haber, and several others like them get plenty of my support,and I also spread the word about what they do and have been doing. I also try to see them live whenever I can - and I tell you - it's a damn shame. I 've gone to see X-Clan, KRS-ONE and Public Enemy over the last few years, and guess what? There wasn't a bunch of OUR FOLKS in attendance. I also went to the, "Making Your Media Matter 2008 Conference", saw Byron Hurt and Leba Haber, in D.C., and it was the same thing - not many of us.

What complicates the problem is that many in the "Black" media, i.e., talk show hosts and morning, noon/afternoon, and evening radio shows, aren't educated enough on this issue as well, (nor, sadly, do some of them really give a damn), and in their ignorance, and complacence, they too, are guilty of putting out the same misinformation: that Hip Hop is all about snitches, bad boys baggin' bricks, b^*%$es, hos, bling-bling, gangstas, pimps, hustlin', whips, and a bunch of other materialistic, one-dimensional, minstrelesque bull@#$!. I've even contacted some of these forms of Black media, and sent a LONG list of artists/artivists and initiatives that they should research and look into, but yet, the contacts I emailed, either don't respond, or they try to act as if I don't know what I'm talking about. Plus, you have a bunch of listeners, and viewers, many of whom lack the media literacy ability to question and deconstruct all the visual and aural garbage that is passed of as legit. That's a recipe for disaster. I ain't on that mess - I purposely seek out information, especially in regards to Hip Hop, outside of what the mainstream audaciously tries to tell us what is and what ain't and I also share it with others, and sadly, many times, I've been cast off as weird. Whateva! I'd say the more pertinent and appropriate question is this: Why don't more of us acknowledge they (Hip Hop artivists) even exist and give more of our support?

In closing, here is what I suggest as SOLUTIONS: 1)First and foremost, we must change our collective MINDSET and WORLDVIEW, if anything else after that is to succeed; 2)We must gain more collective media literacy; 3)more of a collective support of what the Hip Hop artivists are doing; 4)More collective enlightenment and education on this issue (thanks Davey D, Adisa Banjoko, Rosa Clemente, and many, many others that are steady schoolin' us); 5), and last but not least, the creation of more COUNTERMEDIA, that supports and complements what Chuck, and others like him are doing. Peace.

WWW.DAVEYD.COM

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IS HIP HOP MAKING PEOPLE STUUUUPID?

I usually like what Minister Paul Scott writes. He has adeep love for our people so I get where he's coming from. However, I'd be remissed if I let the title of this essay go by without commenting and shedding light on somethings that are often ignored or overlooked.

First by referancing the negative sides of Hip Hop to the Mentally challenged/ retarded is insulting to people who are mentally challenged. Within Hip Hop circles its even more insulting. The premise is that mentally challenged folks are the ones who go around ruining thingsfor the rest of us. The notion is that they go out and do the worse things. Our image is the slow talking and slow moving individual...

Well I think that many who live within the disabled community would be upset with this association. The folks I see in our community who are mentally challenged have their issues and yes some-I repeat some do some bad things. However if we wanna talk about people having mental issues, we should really look at those who sit in high places, have lots of resources and still move in the direction of evil. We can star with our President and his lust for war and mayhem and work our way down to the heads of some of these multi-billion dollar corporations that own the media outlets and record labels that dessiminate these debilitaing messages.

The people within Hip Hop who are disabled and mentally challenged tend to be down ass cats who fight for our freedom in more ways than I can list. Folks may wanna get up on the kriphop and the Krip Hop Nation and movement and need to familiarize themselves with folks like Leroy Moore who writes for Poor Magazine. Check out http://www.kriphop.com/

These folks put out their own albums, have their own radio shows and inspite of physical and mental hardships have sharp political understandings on our collective struggles with society..

So again while I understand where author Paul Scott was coming from..He chose the wrong group of people to associate Hip Hop's downfall with. Hip Hop is faltering because of many who seemingly have it together, but make decisions to embrace death or life and bad over good..

Peace to the Krip Hop Nation
Davey D

Is Hip Hop Mentally Challenged Music?:
The Reign of Retarded Rap
Min. Paul Scott

Over the last two years, Black America has been discussed by the mainstream media perhaps more times than in recent history. Between Don Imus, the Jena 6 and the presidential election, for a moment, it began to seem that black folks were, at least, beginning to put serious issues on the forefront. I began to think that our people were finally beginning to wake up. However, when I turned on 106 and Park and saw black men just an hour shy of 40 talking to 12 year old girls on their level, I faced the grim reality that the cycle of mis-education continues.

In 1933, the great educator, Dr. Carter G. Woodson, wrote "If you can control a man's thinking, you do not have to worry about his actions." Although, "The Mis-education of the Negro" was written 75 years ago, the issues raised are just as relevant today, especially within the context of Hip Hop.

It is no secret that Hip Hop has been on a downward spiral, creatively and intellectually, for well over a decade. However, during the last couple of years, what can best be described as "retarded rap" (or for the politically correct "mentally challenged music") has dominated commercial Hip Hop. While the issues of violence and misogyny have been addressed to no end, its blatant anti-intellectualism is rarely discussed with such emphasis.

It can be argued that even during Hip hop's most violent period, the lyrics of NWA and Tupac Shakur, at least contained some substance. There is a qualitative difference between NWA's "Straight Outta Compton" and Soulja Boy's "She Gotta Donk." At least the followers of THUG Life could deliver a half thought out attempt at apologetics.

Most disturbing is that for the first time in the history of African people, the youth are dictating the dynamics of black intelligence. Although, BET's 106 and Park is one of the most popular programs on cable television, there is something fundamentally wrong with a society when 30 something year old rappers are on the same wave length as teeny boppers.

It is undeniable that there has been a conscious effort for the powers that be to keep black people in a perpetual state of ignorance.

Going back over 400 years to the genesis of the African Holocaust (Trans Atlantic Slave Trade) we see that of the first things that the slave traders did was to control the means of communication by taking the drum.

It must be noted, as of 140 years ago, teaching black people how to read was a crime punishable by death. Later, even though the segregated school systems had their good points in regards to the attention given to the total well being of black children, the schools, themselves, were separate and unequal in their access to resources. Even the modern day educational system has been set up to maintain a permanent underclass.

Therefore, the all encompassing nature of mis-education must not solely be looked upon in generational terms. As Dr. Woodson pointed out, even the most highly educated are not able to escape the slave mentality. So much so that even powerful, college educated black people who own 100 media outlets and reach millions of black people , everyday, still cannot come up with a way to counter the mis-education of black children. In fact, they are willing accomplices with the mentacide of Afrikan people, to borrow a phrase coined by Dr. Bobby Wright.

Steve Biko once said that the most powerful weapon of the oppressor is the mind of the oppressed. So, while it is often said that the goal of this educational system is to "leave no child behind," Capitalism, by nature makes such a grandiose task impossible as those in power have a vested interest in keeping the masses ignorant. Reason being that smart people ask too many questions. So, as Kwame Ture/ taught us, there is a distinct difference between the "conscious" and the "unconscious."

The conscious ask why does the price of a $5 Hip Hop shirt made from slave labor rise to $100 when it gets in the store. The unconscious gladly hand over a c-note under the rationalization that if your gear ain't over priced then you ain't ballin'" The conscious ask why are the same mentally challenged five songs played on every commercial Hip Hop station in the country. The unconscious accept the worn out excuse that "this is what you guys want to hear" not realizing that it is in the best interest of the advertisers to keep the masses dumb. As they say, "a fool and his money are soon parted."

Quiet as it is kept, those who have been chosen as black leaders also have a vested interest in keeping the masses ignorant for if the masses were properly educated there would be no need for their leadership, as the masses would simply solve their own problems.

After all the hoopla that black leaders did over "cleaning up rap music" last year, at the end of the day, were the masses of black people more knowledgeable about payola, the inner workings of the music industry and the names and faces of the major shot callers?

So what do we do?

Yes, we must boycott "retarded rap" but we must redefine what we mean by the oft misused and abused term "boycott," in the context of developing a desired result. Does a victory mean that ignorance will be totally eradicated from the airwaves, that some ratio will be developed between the play rotation of conscious Hip Hop and mentally challenged music. Or does victory just mean that some leader will be allowed to sit on a panel at BET to discuss the problem, once a year?

We must develop a leaderless Campaign Against Mis-Education (C.A.M.E.) in communities across the country where the masses of the people take it upon themselves to develop strategies to fight mis-education with education by doing such things as starting an email campaign to demand that conscious Hip Hop (especially from local artists) gets airplay on local stations and demand that in the midst of entertainment, the local station must devote some time to education as a condition for "borrowing" the airwaves. We must also develop a coalition of conscious radio hosts across the country that will circulate information as well as conscious Hip Hop so that we do not have to be so dependent on commercial radio.

As Bob Marley once sang, "Emancipate yourselves from mental slavery. None but ourselves can free our minds."

Min. Paul Scott represents the Messianic Afrikan Nation in Durham NC. He can be reached at (919) 451-8283 info@nowarningshotsfired.com

http://www.nowarningshotsfired.com

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DJ KID CAPRI IS THE TRUTH:

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ATTACK OF THE TEENAGE HIP HOP MUTANTS, BY BLACK DOT!

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BIGGIE SMALLS RIGHTEOUS RITUAL:

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SUGE AT GAME/WEEZY VIDEO SHOOT, TALKING THAT ISH:

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THIS IS JUST SAD.
RAP IS OUTTA CONTROL.

PEACE TO WEEZY.

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TALIB KWELI AND KRS-ONE ROCKIN!

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GLC IS THE HOMIE:

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DAMN, YUNG BERG GOT IT BAAAAAD:

In light of Yung Berg’s recent public beating and robbery at the Plan B Nightclub in Detroit, rapper and club co-owner Trick Trick is maintaining that the incident had nothing to do with him.

In an exclusive interview with AllHipHop.com, Trick Trick detailed the specifics behind the assault that left Berg bruised and stripped of his flashy Transformer chain.

“First of all I ain’t no jack n***a . I don’t need to jack nann [any] n***a to get what I gotta get,” Trick clarified to AllHipHop.com. “Karma’s a motherf**ker so I’m not taking no n***a’s s**t. I earn mine. I don’t need that piece of s**t ass aluminum foil chain the b**ch had on no way.”

Rumors have circulated that Trick Trick orchestrated the attack in retaliation for previous comments Yung Berg made, disparaging the Detroit native as an MC and Detroit’s rap scene as a whole.

While Trick admits it was members on his entourage who carried out the attack, he claims to have broken up the assault and argues Yung Berg should have cleared his appearance beforehand.

“My lil n***as got him. The label called and told me he wasn’t coming, so I wasn’t expecting him. So there was no need for me to tell the lil homies that ‘aye, the n***a’s straight,’ because he wasn’t coming,” Trick reasoned. “I saved that n***a’s life. He would probably be dead right now or in a coma if I hadn’t ran over there and pushed the lil homies back so they could quit stomping this n***a.”

The bludgeoning left Berg visibly bruised and forced the 23-year-old MC to cancel a scheduled high profile performance at Hot 102.7’s Summer Jam.

Also, a brazen picture of an unidentified man sporting Berg’s chain leaked onto the internet yesterday.

Trick Trick feels unsympathetic to Berg’s situation, feeling the Chicago native brought the beatdown on himself.

“You can’t be saying ‘fuck Trick Trick’ and you don’t like dark skin women,” Trick sneered. “I was gonna school the little n***a to the ropes of the game! If you gonna take some notes, take notes from an OG. The lil homies got that trophy [the chain], I don’t want that s**t. I don’t have any problems with the little n***a. I [just] don’t like him.”

Yung Berg is still promoting his new album Look What You Made Me, which debuted at #20 2 weeks ago on Billboard’s Top 200.

Trick Trick is finishing work on his sophomore album The Villian, which will feature appearances from Eminem, Kid Rock, Esham, and Proof.

At press time, Yung Berg and the Detroit Police Department could not be reached for comment.

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HITLERVILLE:

BERLIN (Reuters) - Three vast tunnels were opened under central Berlin this month, giving a glimpse of Adolf Hitler's megalomaniac vision of a new architectural centre for the capital of Nazi Germany.

The 16-metre (50-foot) deep tunnels were constructed in 1938 as part of an underground transport network beneath a series of bombastic buildings designed by Nazi architect Albert Speer, including the biggest domed hall the world had ever seen.

The overground plans, never completed because of World War Two, included boulevards, squares and huge buildings, such as an arch dwarfing the Arc de Triomphe in Paris, and the 290-metre high Great Hall, with room for 180,000 people.

Hitler called the concept, a symbol of the power of the Third Reich, "Berlin -- the capital of the world" but in recent times it has come to be known as "Germania."

The tunnels, between 90 and 220 meters long lying beneath the Tiergarten park, would have accommodated roads and a railway line.

"The tunnels -- which are in surprisingly good condition -- were part of Speer's grand plans, what we now call 'Germania'," historian Dietmar Arnold, head of the Berlin Underground Association and bunker tour guide, told Reuters.

Last week, Arnold -- who runs an exhibition of Hitler's plans -- took journalists on a rare visit into the dank tunnels.

They are closed to the public most of the time because of safety concerns, but visits can be arranged.

"The acoustics are incredible," said Arnold, who likes singing a note and hearing it reverberate around him.

After the war, British forces in divided Berlin closed the tunnels. They were rediscovered in 1969 but have remained shut. In 1990, a year after the fall of the Berlin Wall, they were handed to the city of Berlin.

The Berlin Underground Association, set up in 1997, has seen a surge in interest in tours of Berlin's remaining bunkers.

Although most were destroyed, some of the maze of 1,000 World War Two bunkers are intact and serve as a reminder of the city's violent history.

Propaganda posters and escape instructions on the walls convey a sense of the past. In one bunker, suitcases, helmets, and uniforms from various sites are on show.

"Interest is constantly growing -- we have about 150,000 visitors a year to the bunkers," said Arnold. "That is partly why we want the bunkers to be protected -- they are an important part of the history of Berlin."

By the end of the war, Germany's most heavily bombed city could protect up to 800,000 people in its bunkers.

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THE MICROCHIP APPROACHETH:

By Mica Rosenberg

QUERETARO, Mexico (Reuters) - Affluent Mexicans, terrified of soaring kidnapping rates, are spending thousands of dollars to implant tiny transmitters under their skin so satellites can help find them tied up in a safe house or stuffed in the trunk of a car.

Kidnapping jumped almost 40 percent between 2004 and 2007 in Mexico, according to official statistics. Mexico ranks with conflict zones like Iraq and Colombia as among the worst countries for abductions.

The recent kidnapping and murder of Fernando Marti, 14, the son of a well-known businessman, sparked an outcry in a country already hardened to crime.

More people, including a growing number of middle-class Mexicans, are seeking out the tiny chip designed by Xega, a Mexican security firm whose sales jumped 13 percent this year. The company said it had more than 2,000 clients.

Detractors say the chip is little more than a gadget that serves no real security purpose.

The company injects the crystal-encased chip, the size and shape of a grain of rice, into clients' bodies with a syringe. A transmitter in the chip then sends radio signals to a larger device carried by the client with a global positioning system in it, Xega says. A satellite can then pinpoint the location of a person in distress.

Cristina, 28, who did not want to give her last name, was implanted along with seven other members of her family last year as a "preventive measure."

"It's not like we are wealthy people, but they'll kidnap you for a watch. ... Everyone is living in fear," she said.

The chips cost $4,000 plus an annual fee of $2,200.

Most kidnappings in Mexico go unreported, many of them cases of "express kidnapping" where the victim is grabbed and forced to withdraw money from automatic cash machines.

GROWTH INDUSTRY

Official statistics show 751 kidnappings in Mexico last year, but the independent crime research institute ICESI says the number could have exceeded 7,000.

Xega, based in the central Mexican city of Quererato, designed global positioning systems to track stolen vehicles until a company owner was kidnapped in broad daylight in 2001. Frustrated by his powerlessness to call for help, the company adapted the technology to track stolen people.

Most people get the chips injected into their arms between the skin and muscle where they cannot be seen. Customers who fear they are being kidnapped press a panic button on an external device to alert Xega, which then calls the police.

"Before, they only kidnapped key, well-known economically successful people like industrialists and landowners. Now they are kidnapping people from the middle class," said Sergio Galvan, Xega's commercial director.

Katherine Albrecht, a U.S. consumer privacy activist, says the chip is a flashy, overpriced gadget that only identifies a person and cannot locate someone without another, bigger GPS device that kidnappers can easily find and destroy.

She said fear of kidnapping was driving well-off Mexicans to buy a technology that had yet to prove useful.

"They are a prime target because they've got money and they've got a worry and you can combine those two and offer them a false sense of security which is exactly what this is," she said.

President Felipe Calderon has come under heavy pressure to stamp out violent crime. He hosted a meeting on Thursday of security chiefs and state governors.

Outside of Mexico, U.S. company VeriChip Corp uses similar radio-wave technology to identify patients in critical condition at hospitals or find elderly people who wander away from their homes.

Xega sees kidnapping as a growth industry and is planning to expand its services next year to Brazil, Colombia and Venezuela.

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LOLA LUV AND 50 CENT MAKING MOVIES TOGETHER... I'D LIKE TO SELF-DESTRUCT ON HER ASS:

Hip-Hop model Angel "Lola Luv" Fershgenet is furthering her career in film with a co-starring movie role with G-Unit front man 50 Cent.

Fershgenet confirmed her work with the rapper during a recent interview with Blok TV.

Although she didn’t specify details surrounding the project, the model/actress revealed that the feature, titled Before I Self Destruct, is being produced and directed by 50 Cent, who also stars in the movie with Clifton Powell.

According to Fershgenet, the movie will be released "probably by the end of this year." Before I Self Destruct is one of a string of projects on deck for Fershgenet.

In addition to modeling, the rap video fixture is embarking on a career as an artist in the world of music.

When asked to describe her foray into music, Fershgenet stated that she would pursue rapping rather than singing.

"I got too much swagger to do anything else anyway," she said smiling.

Fershgenet’s new rap ambitions comes after her first film Crazy Like a Fox, debuted earlier this month at the 12th Annual American Black film Festival (ABFF) in Los Angeles.

Although she doesn’t have a single coming out right now, Fershgenet did confirm that fans will get a musical offering from her before the end of the year.

"I’m working on my mixtape….I’m doing it all. I’m versatile," she said, "So definitely doing it all. Modeling, acting, music. All."

In addition to working with Fershgenet on Before I Self Destruct, 50 Cent will be seen alongside big screen icons Al Pacino and Robert DeNiro in the upcoming film Righteous Kill, which is slated to hit theaters on September 12.

WWW.ALLHIPHOP.COM

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YUH BLOODCLAAT RIGHT!!

Violent Gangs halt for Usain and Co. By Ooh Papi

There’s no other way to define the 6-foot-5, 22-year-old sprinter, the likes of which the world has never seen. Except he is the next step in physical evolution. Beijing is now Bolt’s world. Everyone else is just running in it.In his finale, he ran the third leg of a blowout, a 0.96-second victory over Trinidad and Tobago that was the biggest margin in the Olympic 400 relay since 1936.
“We simply couldn’t compete,” said one of the second-place finishers, Marc Burns.
Nobody could. After the third gold medal Jamaica could not contain itself.

Let me re-visit the scene for you, the night Jamaica relay teams won. There was a huge TV monitor in Half Way Tree square and a traffic Jam. People are celebrating, jumping in the air as Usain Bolt breaks the world record. Then things got even more crazier minutes after as Melaine Walker got gold.

Things were even crazier on Maxfield Avenue. People were beating pot covers and making so much noise it was not beleivable. Exisiting tensions abated, those who have not spoken to each other for years are jumping up and down and hugging each other. Estranged baby mothers are also talking to their estranged baby fathers with joy. (No child support laws in JA really make dead beats dads a sore spot)

Most Important now comes a call for the signing of peace treaties between the gunmen of Rose Town, Whitfield Town and gangs like the ‘Rat bat’ gang in Kingston 13. All Jamaicans know this is extremely significant considering the history of these gangs.

Jamaicans are criticisng U.S. television announcers asking if they can speak to NBC’s Bob Costas who complained about Usain Bolt’s beating his chest once after winning the 100 meters. TVJ has been showing celebration behavior of past US sprinters like Maurice Green, Gatling and Crawford. Gway to anybody criticize Jamaica’s runners and Big up to the peace treaty brought on by Bolt and the other Jamaican sprinters.

THEY WON'T SHOW CLIPS OF THE REAL RACE ON YOUTUBE... GRRRR.

WWW.NBCOLYMPICS.COM I THINK HAS IT

USAIN BOLT TA BLOODCLAAT!!!

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ALANA SPEAKS ON DANTE: